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Retrouvez ici une partie du site de Gery Zeitlin.
Ce scientifique a travaillé sur le projet SETI de la NASA, il a traduit en anglais
une partie des travaux d'Anton PARKS pour l'aider dans la diffusion de ses ouvrages.

Quoted materials from books, interviews, and communications by Anton Parks:
Copyright 2006-2010 Anton Parks
Otherwise Copyright 2006-2014 Gerry Zeitlin

Find here a part of Gery Zeitlin's website.
This scientist worked on the NASA SETI project and translated into English
part of Anton PARKS's work to help him in the diffusion of his books.

Les paragraphes en bleu sont des traductions de propos d'Anton PARKS réalisée par Gerry ZEITLIN.

Les paragraphes en orange sont des traductions de propos d'Alain GOSSENS (alias KarmaOne) réalisée par Gerry ZEITLIN.

Les paragraphes en vert sont des ajouts réalisés par l'équipe pour accompagner la lecture des articles.

Certains articles ont été écrit par G.Z. avec des mois ou des années d’intervalles : pour plus de simplicité nous les avons rassemblé dans des catégories uniques (intitulées "Langage", "Initiations" etc.).

Les articles peuvent se lire dans l'ordre chronologique ou dans n'importe quel ordre pour en apprendre davantage sur un point particulier du récit.

The paragraphs in blue are translations of Anton PARKS by Gerry ZEITLIN.

The paragraphs in orange are translations of Alain GOSSENS (aka KarmaOne) by Gerry ZEITLIN.

The paragraphs in green are additions made by the team to help the reading of articles.

Some articles have been written by G.Z. with months or years of intervals : to simplify their reading, we collected them in unique categories (called "Language", "Initiations" etc.).

Articles can be read in chronological order, or in any order, to learn more about a particular point in the story.

The Phenomenon of Anton Parks :

Has Anton Parks, French self-educated author, produced in Le Secret des Étoiles Sombres an epic accounting, a mythology, a saga of science fiction and heroic fantasy, or a "history" book?

Parks' work remains unclassifiable as it poses the essential questions: What was happening on the earth before the coming of man? What led to and provoked the advent of the human civilizations?

The author of Le Secret des Étoiles Sombres enthralls thousands of readers around the world with his epic report on the origin of human civilization. But let us not be mistaken: in this novelistic form, Parks may have restored to us our true genesis, that which figures in the Sumerian texts, clairvoyantly decrypted and presented without complexity.


Nexus Magazine (French Edition) Nos. 43-44, Spring-Summer 2006

We are the fruit of complex interactions with extraterrestrial entities that we have long taken for the "Gods". Far from the paradigms of Darwinism and creationism, Parks proposes an exogenesis of humanity based on the decryption of great fundamental myths, but also on Sumerian and biblical texts. A fascinating voyage to our ultimate origins.


Karmapolis in Nexus Magazine (French Edition) No. 50, May-June 2007

"The specter of war caused us to descend here and our race shook your world to its foundations. I recall well all these discourses and the numerous broken promises. This wound refuses to heal. My heart is ever filled with grief, because this story resonates within me like a distant echo."


What is Girku?

This introduction will help you understand the nature of this key artifact from the Girku Chronicles series.

The crystal Ugur (The GÍRKÙ)

My companion asked me to take out the cylindrical quartz crystal with reflections of greens and blues. I seized it and held it up, admiring it in all of its parts; it was of an extraordinary purity....

"This august crystal is a Gírkù (litt: holy epee in Sumerian). It possesses multiple functions and operates on the same principle as the ME. The entire history of the Amašutum is carefully recorded in it. It is also a frequency catalyst that transports on the three levels which make up the KIGAL and on the fourth dimension of the Angal.

"The Kingú-Babbar, the great Gina'abul albinos whom we also call the Imdugud, possess Gírkù in the form of crystal spheres that are a sort of combination of our common Gírkù and the crystalline stone that you hold in your hand.

"This crystal is capable of vibrating on certain frequencies with a quality contingent on the impulse that is sent to it.

"What you do not yet know, is that our ancient line held the mastery of the force of Níama as does our queen. The amount of heat exerted on this crystal by the Níama causes the basic vibration of a being to rise or descend, aligning her with the different planes of existence. In fact the Gírkù acts as a Gùrkur, but with considerably greater power, because it is an undressed crystal!

"This type of green quartz is unique; it is one of the purest stones that we know. It comes from the system of Gagsisá (Sirius).

"Finally, it is also a formidable weapon. It deploys its blade thanks to the Níama.


"This object belonged to our ancestors, the ancient Amašutum root race. Each and every one of us possesses one on Nalulkára. Our past deviations and our venue in the bosom of the Kadištu have not only removed from us our venom, but also the preprogrammed capacity to use the Gírkù that we previously possessed."


Anton Parks' Le Secret des Etoiles Sombres (Volume One of The Chronicles) might be a novel, constructed to illustrate via a gripping narrative the author's insights into a human prehistoric background - rather a prehuman historic background - gained through his deep linguistic analysis of ancient Mesopotamian languages: Sumerian, Akkadian, Babylonian.

However, Parks himself does not believe his books to be works of fiction. Rather, they are a transcription of experiences he had - through an imposed virtual reality projection, or a parapsychological mind meld, or some other process for which we cannot even propose a name - that intruded upon and overwhelmed his daily life for many years.

Before reading his books, one needs to know what they are. The best way to begin to understand is through Parks' own description of how he acquired his information. For this we turn to a penetrating interview of Parks conducted by Alain Gossens of

The wide-ranging interview also serves as a précis of the books, and as such was an aid in organizing and beginning to write these pages, which also incorporate information from private communications with Anton Parks, as well as from the books themselves.

One other important first detail for English-speaking readers: no English-language translation of Parks' books or the interview has been published, but translation of the book series is underway. While awaiting the books' publication in English, although we will not attempt a close translation on these pages, the importance of Parks' work seems so great that we are moved to provide English-speaking readers with a summary and discussion of the basic facts contained in them.

Anton Parks Describes his Experiences

Parks' experiences began at the age of 14, in 1981, with a series of "flashes" that would occur at any hour of the day, and completely beyond his control. These eventually evolved into "visions" that took place from once to three times each day.

The visions seemed somehow to be related to or triggered by the ambient light at the time of their occurrence. The light in the visions had the same "spectrum" as the surrounding light. They came as "jets of light" from above, penetrating the top of his head, at the level of the "seventh principal chakra." They would instantly disconnect him from his surroundings and move him into complete scenes, including the aspect of sound.

He would find himself "inside" a certain being, and usually would find the same set of "personages" around him.

These living experiences would take from two to up to ten minutes. Yet if there were people around Parks at the time the visions occurred, they did not seem to notice that anything special had happened, which leads Parks to believe that he would have been gone for only a few seconds at most, in their time.

Parks struggled to comprehend the source of these visions, and their meaning. It was not until the end of the 90s and much research that he came to understand that they were related to the Sumerian civilization and to a language from which the Sumerian language emerged.


...It took some time to put order into all this history -- the different personages and their characters, their numerous names, the different races, the planets, the dimensions -- all that had not been clear at the beginning, especially since I was receiving the information via these disordered "flashes".

Order and comprehension came naturally over the course of years, without doubt due to the growing amount of information that I was able to accumulate.

And there was this sensation of "deja vu", of knowing or recognizing the personalities of the players.

It is a world apart, truly separate from ours, but so alive and, in spite of all, so close to us in many ways...

I discovered by chance the Sumerian literature very late, toward the end of 1999 and the beginning of 2000. Yes, that was a shock and above all a supreme motivation for me to write the Chronicles.

Certain places described in the Mesopotamian documents, and most of the the principal personages, are relatively in accord with what I received, but the tablets lack many details and numerous elements... and in fact not all is in accord with my "visions". The warp and woof of the story that I relate are found however on some clay tablets; this is why I have no doubt this "capacity" to interpret the symbolism of the Mesopotamian documents.

Parks also began to consider aspects of reincarnation theory in trying to comprehend what was happening to him.

The personage whose identity Parks assumed in his visions bore the name of "Sa'am," and it was Sa'am's "destiny" that Parks was retracing.

Sa'am belonged to a group of "reptilian" races known as the Gina'Abul [Sumerian: "lizards"], and these are the divinities who are written about on the Mesopotamian tablets.

Sa'am had a certain crystal that was called "Gírkù." The information that Parks was receiving was in some way coming from the crystal, which led him to wonder if the experience was being played out in his mind by the crystal or if he really was this "Sa-am" who owned it.

After many years of living with these visions, Parks found that they were taking too much of his life, and he began a process of reducing and blocking them. This took many months, but the phenomenon eventually disappeared, in 1991 around the time of the first Persian Gulf War.

Coming to terms with the experience, Parks decided that it was not necessary to know for certain if he truly was the Sa'am personage, although in the depths of his being he is convinced that it is so. Perhaps this was what led him to begin a study of ancient Mesopotamian texts. He and his associates were soon shocked to find that the history they related was practically identical to what he had received - or lived through - in his visions.

Pursuing an interest in the Sumerian language, and aided by his "flashes," Parks discovered the "linguistic code of the gods".

Eventually what became most important was the need to write and publish the information he was gathering. He began this task in the period 2000-2001.

From Author's Note to Ádam Genisiš:


At the time that The Secret of the Dark Stars was impressed upon me, I did not know how to reveal the source of all this history. It didn't seem to be channelling, properly speaking. To explain that it was all revealed to me on a daily basis over a dozen years through the intermediary of uncontrollable "jets of light" hardly enchanted me.

This situation was so trying for me that it is difficult now to even recall it clearly. Years of this had shattered my life.

I had opted not to speak of it, at least at first, thinking that "those who know" would see clearly from what it came. As to most of the other readers, those who are a little less "in the know", I imagined that they would be content to take this information as that found in an essay on the origin of humanity, or even as a novel, given that the narrative is written in that form. When one has important information to communicate, all these methods are good...

But choosing the manner of transcribing this series did pose a problem for me, and for a long time. Several years ago, when I finally decided to begin writing, I started to compose the first volume in the form of an essay. But after a good hundred pages, I realized that I would not be able to include all the details that I had received. So I abandoned this approach and wrote the central part of the book -- that is to say the history -- as a narrative. That allowed me to put in the full specificity of this story without "taboos" and I was able to preserve the singular sensation of finding myself in the body of the principal personage, just as I had it at the time that I had received all this.

Then I preserved the contents of my historico-mythological and linguistic investigations for the notes at the bottom of the pages and for the appendices, as I have done with the present work.

This explains why two different writing styles coexist in the volumes of this series.

Comparison with the Work of Other Researchers

Parks has examined the translations of Samuel Kramer, Jean Bottéro, Marie-Joseph Seux, Thorkild Jacobsen, René Labat, and André Caquot. While they differ from one another, their core information is the same, and Parks and his associates couldn't help noticing a surprising similarity between his flashes and the basic story written down on the ancient clay tablets - certainly more than 5000 to 6000 years old!

It was all Parks could do to refrain from plunging too deeply into these translations, so as to continue to preserve intact the history as he had received it, which contained numerous elements that were totally absent from the tablets.

He found striking similarities on concepts having to do with cloning, well detailed on the tablets, which have also been discussed by modern authors Zecharia Sitchin, R. Boulay, and David Icke.

Most important was information relating to the central personage known in Parks' first volume as Sa'am, who took other names while on the Earth - though no more was spoken of this in the interview. Many of the personages introduced in Le Secret came to Earth and persisted into the Sumerian, Egyptian, and "Biblical" epochs under various names. All of these are discussed in Ádam Genisiš.

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